Psychological Thriller · Limited Series · Chicago

Every Love Story Needs a Witness.

When a glamorous engagement party ends in blood, the maid of honor becomes the only survivor— and turns her testimony into the most dangerous performance of her life.

Core question: What happens when love, content, and confession collide?
Tone: Gone Girl x You with the formal play of Searching.

Created by Isaiah Markel Lesley · Markel Media & Management · Markel Productions · 6 x 15–20 min · Built for festival play and AVOD/SVOD expansion.

Why This Series Wins.

The Amicicidal Massacre is engineered to feel like a studio thriller inside a smart, independent budget: a single heightened weekend, a tight ensemble, and a visual language that travels—festivals, platforms, and genre fans.
Smart scale. Studio quality.
One rooftop, one dinner, one night that unravels. The emotional and thematic scope reads big; the physical footprint stays lean, controllable, and repeatable for future seasons or a feature adaptation.
Form-forward, never alienating.
Found footage, therapy tapes, police interviews, vlogs, and live podcasts layer together— always in service of a clean, addictive mystery: what really happened on that rooftop, and who owns that story.
Specific voice, wide audience.
A Black, Chicago, queer-coded lens on love, faith, and performance in a genre that rarely grants this level of psychological depth. The show entertains first, then lingers.

Story

The Amicicidal Massacre is a limited psychological thriller about what happens when identity becomes performance and love becomes content. A rooftop engagement party goes wrong. When the cameras stop, the retellings begin—and every version of the story is edited for survival.

Controlling Idea

When the need to be seen outweighs the need to be loved, truth becomes performance— and performance becomes the only way to survive.

World & Tone

Chicago as a living character: lakefront luxury, church basements, South Side rooftops, ring lights in mirrored bathrooms. The camera is confession booth, weapon, and witness. Horror is treated as emotional realism—silence, symmetry, and stillness doing more damage than any jump scare.

Characters

These are the inner “character worlds” from the series bible—built to give actors, investors, and partners a clear view of the emotional engine behind the rooftop massacre, without spoiling every turn of the plot.

LILY SANTOS “THE INVISIBLE WITNESS”

Series Function Primary POV of the darkness. Antagonist in the plot, protagonist in her own love story. She is both victim and perpetrator, the only one who walks away alive in the pilot.

Logline of Her Soul A woman who has spent her life invisible decides that if she can’t be chosen, she’ll be unforgettable.

Core Wound Growing up, Lily was always the side character: the quiet friend, the girl in the background of other people’s selfies, the “you’re so sweet, I wish more guys liked you” girl. Her love and labor were accepted, but she never was. That fermented into a deep, wordless conviction: “If I disappeared, no one would notice.”

Deepest Fear That she is fundamentally unlovable unless she is useful.

Core Lie She Believes “If I love Mia the most — if I sacrifice the most — she should be mine.” The knife isn’t an attack; it’s “correction.” Framing Elisha isn’t evil; it’s “order being restored.”

True Desire (Unspoken) To be chosen openly, first, in the light — not as a secret, a backup, or an emotional support.

Persona vs. Reality Persona: Warm, funny, slightly chaotic maid of honor. “Tipsy but harmless,” ride-or-die friend, emotional glue.
Reality: Hyper-observant, rehearsed, constantly self-monitoring to appear “normal” (“Be warm. Be helpful. Be normal.” – pilot script). She collects information like a survival tool.

Worldview “Visibility equals safety. If no one sees you, they can’t protect you.”
“Love is something you prove with sacrifice.”
“If the story is recorded on camera, it becomes the truth.”
This fuels her obsession with footage & angles (studying the rooftop camera, hiding the SD card, planting it in the planter).

Relationship to Each Main Character Mia: The sun. The girl who once told her she felt safe and loved with Lily. Lily clings to that as gospel truth; anything that contradicts it (Liam, the engagement, Mia’s “I was drunk” dismissal) is betrayal.
Liam: A thief. He “stole” Mia’s destiny. A trespasser on sacred ground.
Elisha: A rival witness. Someone else who “sees” Mia, threatens Lily’s role, and ultimately becomes the scapegoat.
Olivia: A moral threat. Olivia senses things and will speak up; Lily watches her carefully.
Brian: Background noise—until he challenges her. Then he becomes another obstacle in the way of “purifying” Mia’s story.

Season Arc Seeded in Pilot She walks away “free,” but someone texts: “I saw what you did.” From here on, her world isn’t “Did I do it?” but “Can I control the narrative?” Each episode escalates whoever is threatening that control.

MIA BROOKS “THE PRECIOUS GIRL”

Series Function The face of the tragedy. Her death is the emotional center of the pilot, but her life—as constructed persona— drives the series’ themes of performance, identity, and visibility.

Logline of Her Soul A people-pleasing influencer who built a brand around perfection, only to die the moment she tries to outrun her own truth.

Core Wound She was rewarded her entire life for being “good,” composed, and palatable: the nice Black girl, the responsible one, the one who “made it out” and turned it into aesthetic content. No one asked what she actually wanted as long as she kept smiling.

Deepest Fear That if she stops performing “precious,” people will leave.

Core Lie She Believes “If I keep everyone happy—my followers, my fiancé, my friends—nothing truly bad will happen.”

True Desire To be messy, complicated, uncertain—and still loved. To say “I don’t know if I want this wedding” without it detonating her world.

Persona vs. Reality Persona: “Soon-to-be Mrs. Liam Brooks,” lifestyle vlogger, romantic and grateful. “This one matters.” – pilot script
Reality: Anxious, hyper-aware, slightly out of breath inside her own life. Watching herself from outside constantly.

Worldview “If it’s recorded beautifully, then it was worth it.”
“Being chosen (engagement, ring, wedding) is the endpoint of womanhood.”
“Conflict is a threat, not a path to truth.”

Relationship Dynamics Lily: Her oldest emotional intimacy. She did say “I love you” once (drunk or not), and she’s quietly pleased to keep Lily as backup emotional oxygen. She relies on Lily without interrogating what that means for Lily.
Liam: Her prize and her prison. He represents success + security + aesthetics. She wants the idea of him.
Elisha: Unspoken history. Emotional cheating, queer subtext, a version of herself that feels dangerous but honest.
Olivia & Brian: Social glue, comfort, familiar roles. They keep her world spinning.

Season Arc Seeded in Pilot Her death becomes a moral question, not just a tragedy:
“Did Mia’s refusal to confront her own truth help create this massacre?”
Future episodes chase that question through footage, secrets, and memory.

LIAM BROOKS “THE GOOD GUY WHO ISN’T”

Series Function Catalyst. Not a cartoon villain—sloppy, careless, selfish in ways that feel painfully recognizable.

Logline of His Soul A man who believes he’s fundamentally decent, even as his small betrayals stack into catastrophe.

Core Wound He’s terrified of being ordinary, un-special, unnoticed. He uses relationships as proof of his worth.

Deepest Fear Being seen as a bad person—or worse, being boring and replaceable.

Core Lie He Believes “As long as I’m not the worst person in the room, I’m still a good guy.”

True Desire To be adored without having to be honest.

Persona vs. Reality Persona: Charming fiancé, supportive of Mia’s vlogging, joking about the surprise party, “the lucky guy.” – pilot script
Reality: DM’ing “E” with “u free after?” in the car, juggling attention, assuming consequences will never truly land. – pilot script

Worldview “Everyone bends the rules a little.”
“If no one has proof, we can move on.”
“Women always forgive if you make them feel special enough.”

Season Arc Seeded in Pilot Even dead, his phone, DMs, and past behavior keep detonating: a posthumous breadcrumb trail that drives future conflicts, investigations, and flashbacks.

OLIVIA “THE ONE WHO SAW IT COMING”

Series Function Moral compass, future guilt-engine.

Logline of Her Soul A woman who notices danger early but second-guesses herself until it’s too late.

Core Wound She once tried to warn someone (friend, sibling, ex) and was dismissed as “dramatic.” Something bad happened. Now she hesitates.

Deepest Fear Being the only one who sees the truth—and being ignored again.

Core Lie She Believes “If I speak up and I’m wrong, I’ll ruin everything.”

True Desire To be trusted when she says “something is off.”

Persona vs. Reality Persona: Quirky, comedic, the friend who shows up with a bowl of olives as something “uniquely you.” – pilot script
Reality: Hyper-sensitive to micro-tensions—Elisha’s eye rolls, Lily’s weird toast, Liam’s glazed stare at his phone.

Worldview “Patterns don’t lie.”
“Silence is complicity, but speaking up has a cost.”

Season Arc Seeded in Pilot Her memory of Lily’s toast—Mia “living in the light” and “forgetting the shadows”—becomes key testimony later. Olivia has to decide whether to stay loyal to the friend group or to the truth.

BRIAN “THE DEFLECTION”

Series Function Relief and tragedy. He brings levity… until he dies, shocking the audience into realizing no one is safe.

Logline of His Soul A man who uses jokes as armor, only to discover that laughter doesn’t protect you from real violence.

Core Wound Conflict defined his childhood home; he survived by staying neutral and funny.

Deepest Fear Being the center of conflict. Being forced to take a side.

Core Lie He Believes “If I keep it light, nothing will really explode.”

True Desire To be taken seriously without starting a war.

Persona vs. Reality Persona: “Pre-game strategy, babe.” The clown, the bit, the group’s pressure valve. – pilot script
Reality: When the knife comes out, he panics but does actually try to protect Mia and confront Lily—and dies for it. – pilot script

Season Arc Seeded in Pilot His jokes, texts, and throwaway lines become evidence in hindsight: the things nobody listened to because he was “just being funny.”

ELISHA “THE MISFRAMED OBSESSION”

Series Function Red herring, scapegoat, and mirror to Mia’s repressed self.

Logline of Her Soul A woman who tried to move on from Mia, only to be framed as the monster in someone else’s story.

Core Wound She once loved someone who wouldn’t fully choose her. Mia is that wound rewritten.

Deepest Fear That she will always be “the almost”—almost chosen, almost loved, almost safe.

Core Lie She Believes “If I act like I’m over it, I can’t be hurt by it anymore.”

True Desire To have her love and her anger recognized as valid, not “too much.”

Persona vs. Reality Persona: Camera-ready, confident, glowing; the “baddie friend” in Mia’s world. – pilot script
Reality: Jealous, conflicted, trying not to show how much Mia + Liam’s dynamic stings or how unsafe she feels in that triangle.

Worldview “Everyone lies about who they want.”
“If there’s footage, they can’t twist the truth.”
And yet: Lily gets to the footage first.

Season Arc Seeded in Pilot Lily’s rooftop statement quietly frames Elisha as the killer. Elisha becomes the focal point of the investigation arc—an “obsessed ex” in the eyes of cops, press, and the internet— even as the audience is forced to question whose obsession really caused the massacre.

Casting Snapshot

Select, paid, non-union roles. Built for actors who want layered psychological material, emotional range, and awards-forward arcs rather than one-note genre archetypes.

Lily Jameson (Lead)

  • Mid-20s · Able to move between soft, devout, and terrifyingly still within a single scene.
  • Comfort with confession-style monologues, therapy sessions, and found-footage intimacy.
  • Must hold both victimhood and quiet menace in the same frame without pushing.

Mia Brooks (Lead)

  • Mid-to-late 20s · Camera-native charisma; familiarity with vlogging or influencer culture a plus.
  • Plays aspirational yet deeply human—especially in private, pre-engagement moments where the mask slips.
  • Appears through vlogs, archives, and memory in ways that constantly reframe the truth.

Episodes

Six 15–20 minute episodes. Each chapter shifts the storytelling device—rooftop footage, interrogations, leaks, reenactments, live streams, and a final confession—until “truth” matters less than who gets to frame it.
EP1 — The Rooftop

The perfect engagement vlog spirals into blood and silence. Mia’s brand peaks as Lily’s secret slides project a different kind of love story across the skyline.

EP2 — Playback

Lily recounts the night in police interviews and therapy sessions. Each retelling nudges the details, while bodycam footage quietly mirrors the gaps.

EP3 — The Archive

Deleted footage leaks online and goes viral, exposing contradictions in Lily’s narrative. Flashbacks and hallucinations blur as she insists on “reframing” the truth herself.

EP4 — Rehearsal

We return to Mia and Lily’s teenage intimacy through reenactments Lily directs. The staged scenes start to feel more honest than anyone’s memory, including her own.

EP5 — Exposure

A live podcast “healing conversation” with Elisha unravels in real time as hacked clips interrupt. The ring light slowly turns into an interrogation lamp.

EP6 — The Witness

Lily records a final confession, admitting she “just wanted to be seen.” Hours later, a new upload appears—edited by unseen hands—forcing the audience to become the last witness.

Visual World & Director’s Vision

Drawn directly from the visual lookbook and series bible: a color arc, lighting evolution, and symbolism that lets the series move from romantic glow to spiritual horror without losing coherence.
Mia’s World

Soft whites, pinks, champagne gold. Cosmetic, high-key lighting and ring-light halos. Exposure as status. Her scenes feel like sponsored content—until the edges start to rot.

Lily’s World

Desaturated blues and deep reds, practical side light and shadow. Spaces that feel sacred, hungry, and suffocating. Repression shows up in negative space and tightly controlled compositions.

Aftermath & Digital Immortality

Cold cyan LEDs, screen glow, glitch, and noise. Files corrupt, faces smear, and overexposed white swallows detail—the haunting cost of living forever online.

Director · Vision · Statement

The Director’s Note

by Isaiah Markel Lesley

I grew up between Joliet and Chicago — two places people love to misread. One is written off as a suburb, the other as a headline. But when you actually live here, when you walk the alleys at sunrise or hear the lake breathe against the concrete, you realize the truth: Chicago isn’t dangerous. People are. And danger rarely looks like what we expect. It whispers. It smiles. It performs.

Since I was seventeen, I’ve had a camera in my hand. Chicago taught me how to use it — not just as a tool, but as a language. I learned to shoot music videos in basements and back lots, PA’d on feature sets like Happiness Begins, traveled the country filming weddings, managed influencers, shaped musicians’ brands, consulted actors, built visuals for realtors and creators. I’ve lived at the intersection where image becomes identity, where people rehearse the best version of themselves before they hit record.

After a decade in this world, something clicked: we are living inside a psychological experiment we pretend is normal.

Influencer culture. Digital confession. Performed vulnerability. Chicago’s own story being rewritten in real time — sometimes by people who’ve never set foot here.

That’s where The Amicicidal Massacre was born.

Not from a fascination with violence — but from a fascination with visibility. What happens when the performance becomes the person? When the camera is more honest than we are? When a city with its own misunderstood narrative becomes the silent witness to human unraveling?

This series is my response to a culture obsessed with broadcasting wounds instead of healing them. It is a psychological thriller, yes — but every frame is built on emotional truth. It’s a Chicago story that refuses to flatten the city into stereotypes. No gang tropes. No “gritty” clichés. Just the truth: the city is not broken — the society performing inside it is.

The characters in this world don’t represent chaos. They represent the cost of curated survival.

Mia performs happiness because she’s afraid of being ordinary.
Lily performs devotion because she’s afraid of being abandoned.
Everyone watching participates in the same ritual — click, observe, forget. Repeat.

Through this series, I’m holding a mirror to that cycle. The camera, in this story, is the quiet accomplice. The archivist. The judge. The only witness who never looks away.

My filmmaking comes from that instinct — cinematic restraint, psychological detail, emotional realism. I shoot like the truth is shy and might run if you blink. I direct actors toward stillness, not spectacle. And Chicago, my home, becomes a character: reflective, observant, alive in ways people rarely let her be.

This isn’t a story about broken people. It’s a story about what happens when a society teaches us to curate pain instead of confront it. A story where every viewer becomes complicit — because you cannot watch without participating.

I’m making this series now because I’m ready. Technically. Emotionally. Artistically. I’ve spent years building the skills, the rhythm, the discipline, and the eye for a story like this — one that threads psychology, faith, queerness, identity, and performance into something sharp enough to cut and soft enough to feel.

The Amicicidal Massacre is the next evolution of my work. And it’s the most honest thing I’ve ever made.

Because I’m not just telling a story.
I’m revealing the world we’ve already become.

— Isaiah Markel Lesley
Director, Writer, Producer
Chicago, IL

Investor Overview

A contained, festival-first series with clear spend, clear path to audience, and a realistic lane into AVOD/SVOD catalog life. Designed for an investor or EP who wants both cultural impact and a proof-of-concept asset for future work under the Markel Productions banner.

Budget Snapshot

  • Total production target: ~$37K–$40K across six 15–20 minute episodes.
  • Allocation: Cast & Crew ~30% · Camera/Lighting ~25% · Post ~20% · Locations & Set ~15% · Contingency & Marketing ~10%.
  • Weekend-centric schedule with location clustering to control costs and maximize screen value.

Path to Screens

  • Festival circuit: SeriesFest, Urbanworld, Outfest, Chicago International Film Festival, and other episodic programs.
  • AVOD/SVOD via aggregators like Filmhub, aiming for platforms including Tubi, Revry, and Prime Video.
  • Staggered YouTube rollout to build an organic audience and feed future seasons, a feature, or companion pieces.

What We’re Seeking

  • Lead investor, co-financier, or executive producer to close the production budget for Season 1.
  • Strategic partners for festival marketing, PR, and distribution negotiations.
  • Potential in-kind support (locations, gear, post) with clear credit and integration terms.

For Serious Conversations

Full budget, schedule, lookbook, and series bible are available upon request. All financial conversations are exploratory and non-binding until formal agreements are executed.

Support · Production Funding · Witness

Bring the Massacre to Light.

The Amicicidal Massacre is ready to move from script and bible to camera. Your contribution directly funds a Chicago-born psychological thriller about visibility, queer repression, and the quiet horror of being seen. Every dollar supports cast, crew, locations, equipment, and post for our first block of shooting.
The Witness · $25+
Props, practicals, and the small details that make the rooftop, glasses, and tables feel painfully real.
The Confession · $100+
A day of crew support—sound, camera, and the eyes behind the lens that hold the frame steady when the story doesn’t.
The City That Watches · $500+
Locations, insurance, and post work that let Chicago breathe as a character instead of a backdrop.

Use the secure form below to support the series. The campaign is powered by Donorbox and accepts major cards, Apple Pay, Google Pay, and other options. Your support turns this confession into cinema—in a city that never stops watching.

Press & Positioning

Positioned at the intersection of genre, culture, and tech: the horror of being watched, believed, and discarded in public, told through a distinctly Chicago and Black psychological lens.
Format

Limited series · 6 x 15–20 minutes · Chicago-set, primarily Black and Brown cast and crew.

Core Hooks

Visibility as horror · Confessional media · Queer repression and faith under a true-crime gaze · The haunting consequence of digital immortality.

Press Targets

Essence, Blavity, Shadow and Act, AfroTech, IndieWire, horror and queer genre outlets, and festival press corridors across Chicago, LA, and New York.

Team

Markel Productions · Markel Media & Management
Isaiah M. Lesley — Creator · Writer · Director · Producer (Chicago)

Chicago-based filmmaker, media entrepreneur, and storyteller. Graduate of Columbia College Chicago (BFA in Television). Founder of Markel Media & Management, Isaiah builds work where faith, queerness, housing, and horror intersect. His direction favors stillness over spectacle—using color, silence, and performance to expose the violence of repression.

Through Markel Productions, he’s crafting films and series that treat genre as a mirror: not an escape, but evidence.

Contact

For investors, casting, crew, and partnerships. Please note your lane in the subject line (Investor · Casting · Crew · Press · Partnership).

Email: isaiah@markelmgmt.com

Website: theamicicidalmassacre.com · Parent Company: Markel Media & Management · Division: Markel Productions